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			<title>The Newest Dojo in the World</title>
			<link>http://www.kendo-world.com/forum/entry.php/124-The-Newest-Dojo-in-the-World</link>
			<pubDate>Wed, 18 Jan 2012 08:37:34 GMT</pubDate>
			<description>*The Chuseikan Dojo in Christchurch, New Zealand* 
  
See Chuseikan Video Here!! 
 
 (http://www.youtube.com/watch?v=AcpxW7GJ4dY)The earth didn’t rock, it exploded under our feet. That was the February 22 earthquake in Christchurch ...</description>
			<content:encoded><![CDATA[<blockquote class="blogcontent restore"><b>The Chuseikan Dojo in Christchurch, New Zealand</b><br />
 <br />
<a href="http://www.youtube.com/watch?v=AcpxW7GJ4dY" target="_blank">See Chuseikan Video Here!!<br />
<br />
</a>The earth didn’t rock, it exploded under our feet. That was the <a href="http://www.kendo-world.com/forum/entry.php/113-The-Christchurch-Quake-12-51-pm-February-22-2011?bt=598#comment598" target="_blank">February 22 earthquake in Christchurch </a>last year. Not long after that, when I had arrived back in Japan, the March 11 Great Tohoku Earthquake happened, followed by a massive tsunami and the unnerving nuclear disaster. In terms of scale, the Japanese earthquake was far bigger, and the casualties inconceivable. How do you come to terms with entire villages being swept away, thousands of casualties, and then the on-going menace of radiation? Well, you can’t really, but life goes on for the living. <br />
 <br />
Life goes on for the living in Christchurch too. The tragedies experienced there were horrific and real. Nobody came out of it unscathed. But the process of rebuilding the city and trying to get some semblance of order back is proving to be very difficult. Of course, people soldier on, but with the literally thousands of aftershocks that have continued to rattle the city day in and day out, peoples’ nerves are frayed. How much longer will it go on? Some experts predict it could continue for thirty years. The fault lines run directly under the city, and they are shallow. Earthquakes have now become a fact of life in the once “more English than England” city of Christchurch. Now, I think we have much more in common with Japan! <br />
 <br />
What should people do? Leave the city and start elsewhere? Or, stay and try and rebuild the city to be better and safer than ever before. Understandably, a considerable number of people have already chosen to leave, and they can’t be blamed for taking that course of action. Others have decided to stay and try and get on with their lives. I no longer live in New Zealand having made Kyoto my home nearly two decades ago. However, as the adage goes “you can take the boy out of New Zealand, but you can’t take New Zealand out of the boy.” I will always have a close affinity with my hometown, and as I happened to experience the earthquake firsthand, I felt a strong urge to try and do something to help it rebuild. <br />
 <br />
The kendo club that I helped form in 1988 (Seitou Kenyukai) lost two members in the quake, and the building we rented as a dojo was completely destroyed, like so many of the characteristic old buildings in the CBD. Finding a place to hold regular trainings after the quake was a frustrating and expensive task for the current leaders of the club, and sports and community groups were competing to book time slots in any suitable building that could accommodate. There aren’t many, and the competition for space is stiff.<br />
 <br />
When I was shown a warehouse in the west of the city that was up for sale, it occurred to me that this could be my contribution. Against considerable odds I was able to coordinate a loan to buy the warehouse, but there was not enough left in the coffers to furnish the dojo with a wooden floor. With much trepidation, I decided to take the plunge and ask my colleagues and budo buddies in Japan if they would be prepared to “buy a floorboard”. <br />
 <br />
Given the extent of the disaster in Japan, I felt uncomfortable calling on people for favours. My reservations proved groundless, and I was overwhelmed by everybody’s generosity and offers of help. It is thanks to their charitable nature, and generosity that the dojo is now up and running. With five of our members selected to represent NZ at the 15<sup>th</sup> WKC in Novara this year, the kendo club is training regularly and very hard, and other culture and budo clubs are preparing to move in. <br />
 <br />
The new Christchurch dojo is only a tiny drop in a massive bucket that needs to be filled to get Christchurch back to its former glory. But, at least we now have a little hall where people can come and train in the martial ways of Japan. Thank you to all who supported the dojo financially or otherwise. Everybody is always welcome!      <br />
<br />
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<div style="text-align: center;"><img src="http://www.kendo-world.com/forum/attachment.php?attachmentid=1115&amp;d=1326873734" border="0" alt="Name:  The Chuseikan Dojo Floor.JPG
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Size:  259.7 KB"  style="float: CONFIG" /><img src="http://www.kendo-world.com/forum/attachment.php?attachmentid=1117&amp;d=1326874553" border="0" alt="Name:  NZ Team at the Chuseikan Dojo.JPG
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			<dc:creator>Alex</dc:creator>
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			<title><![CDATA[Japan trips... and how they don't turn out the way you planned for....]]></title>
			<link>http://www.kendo-world.com/forum/entry.php/123-Japan-trips-and-how-they-don-t-turn-out-the-way-you-planned-for</link>
			<pubDate>Tue, 27 Dec 2011 00:30:38 GMT</pubDate>
			<description><![CDATA[As usual I wrote ahead and set an itinerary down for myself for the 14 day trip... 7 days training at Seinen no Ie Ozu, down to Kannonji to visit sensei's grave, then back to Kyoto for a bit of iai related shopping/touristy stuff, with night time training... 
The original plan was to hammer away at...]]></description>
			<content:encoded><![CDATA[<blockquote class="blogcontent restore">As usual I wrote ahead and set an itinerary down for myself for the 14 day trip... 7 days training at Seinen no Ie Ozu, down to Kannonji to visit sensei's grave, then back to Kyoto for a bit of iai related shopping/touristy stuff, with night time training...<br />
The original plan was to hammer away at the partner work with Neil after the days' main training was over... That went out the window as Dirk, Neil and Yuriko were translating Iwata senseis notes every evening! Fortunately Chin san from Taiwan stepped up as my partner, so although I didnt get to practise with Neil, I still got some reminders and also extra insights from Nishimoto sensei...<br />
<br />
As usual I overdid the first day, (started 9am and finished 10pm) with the result of my dodgy knee playing up the next day. This turned out to be not such a bad thing as I got to speak with Isshikki sensei, (late 80's, old student of Iwata s.) and went through some stuff I had seen previously but not had a chance to speak to him about. His approach to iai, and cutting in particular, has always fascinated me, and as I guess I am finally at a place I can understand what he is doing, the day flew by, with anecdotes and demonstrations reinforcing points and timing. Any money I had spent getting there was worth every penny just for that day...<br />
<br />
Final day we got the afternoon in a class room with Nishimoto s. and his insights in iai. His cartoon type drawings are brilliant and get the point across easily. This time I particularly liked the thoughts on flowing iaido, not sure if everyone picked this up, but at least it goes into peoples notes so they may understand later on...<br />
<br />
I had been thinking a lot recently about how to 'sharpen up' my timing, so had questions to ask about my relaxation times and focus. It turns out I am far too tense at the start and give away my intentions too much. Which then begged further questions on preventing an attack in the first place by your demeanour! It occurred to me that Taniyama sensei's opening 'study' of his opponent was always calm and observant, with a lightning response into nukitsuke, which to me always came across as realistic and effective, but also a very naturally instinctive and reactive technique. Nishimoto and others were helpful to watch as they have this'calmness' I have been looking at, but not been able to do.... Now all I have to do is practise it. Again a question I needed to ask but as usual the answer is never what I expect, but I tend not to ask questions that confirm what I know, its always stuff I don't know or can't work out...<br />
<br />
The Kannonji trip was something I needed to do... I laid some flowers on sensei's grave and went down to his house to visit his family. Sadly his wife passed away shortly after him, (around the same time as my dad died in fact). His dojo is something of a shrine, with everything left as it was, swords everywhere, mountains of books, and his students' names on the wall.... I hadn't known mine was up there until it was pointed out! I did feel like clearing out the other guys so I could do a little embu, but that wouldnt have been fair and time would have prevented us all doing it! The family grows satsuma oranges, so we had some straight off the trees, (and yes they do taste better).<br />
<br />
I got to drive for the first time in Japan as Nishimoto s. wasn't feeling too good. You realise very quickly how much you rely on ENGLISH words for town names. By the time you read the sign, with a tiny bit in english, you are nearly past the turning! Fortunately he took over just before we hit the big city area, so although I didnt get to drive over the bridge into Kobe, I was quite relieved to pass the controls over....<br />
<br />
Finally got to go to the little sword shop near Nijo castle and drooled over some of the stuff in there. I should have bought one but exchange rate this time was a killer... even though it was a gorgeous balance and I need another shinken...<br />
<br />
Training on a night time this time was... different. I got the opportunity to just get on with what I needed to work on, with Nishimoto s. popping off random comments as needed. I usually expect a lot of 'interruptions' during training when I am being a student (rather than me teaching) but this time it was strangely quiet compared to normal. I asked and was told I only needed random comments on stuff I had forgotten about... (I am renowned for my bad memory and my ability to learn new stuff... which I forget just as quickly...) <br />
The strangest moment was being asked to teach some of the students, as Nishimoto s. was struggling with his points in English to the junior foreign students in the class. He watched, nodded his ok, and let me get on with it. ERRRRMMM... excuse me, I am here to be taught!!! Turns out its another little lesson and he is checking what I know... Teaching iai in Japan, whatever next...a full seminar / class there perhaps?hahahaha!!!<br />
<br />
Travelling around always takes longer than planned, but Himeji trip was great, a night in the dojo with Yabe s. followed by a day wandering around the castle and local tea house and gardens. I had been to the dojo before, when they had run a shoden shinsa with 30 odd 7th dans and 4 8th dans, so it was nice to visit a local dojo on 'normal practise' night. As usual the foreign students got paraded out in front as an example of commitment to train hard, and to be fair its a reasonable thing to do although slightly embarrassing for us....<br />
<br />
One of the nicer things is seeing iaidoka I had met before at the dojos I visited, and seeing how they have come on since my last trip. I also got to meet up with quite a few new people this time, but the best was seeing Morinaka s, who was one of the sensei who came over on Iwata s' first time to the UK. I always remember him arguing with Iwata sensei over how much they could show us, with Iwata s. saying no to this, that, and the other, with us watching saying 'wow look at that!'<br />
<br />
This trip gave me a sense of closure with Iwata sensei, knowing his students are still hammering away at his methods. I particularly enjoyed Yabe sensei enforcing the basic kihons Iwata sensei came up with to get us all to understand how the body really works. the effects on basic training of new students is obvious and showed me how much of an 'iai genius' my sensei was.... although anyone who was hachidan hanshi for longer than most of us have been alive did give him an edge I guess...<br />
<br />
The question now is 'do I need to go again now sensei has passed away?' If so, why and what will I go for? Fortunately I already have the answer from sensei, which is 'a good swordsman is a good thief, he takes what is best and builds it in to his own iai'. The hard part is finding who to steal from and making sure it does not change the roots of what you already have. So.... next time I have to wander around all his students and learn what they considered his important points. Nishimoto s. is a mine of information both on history of the ryu as well as technical stuff, so you can guess who is first on my list....</blockquote>

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			<dc:creator>chidokan</dc:creator>
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			<title><![CDATA[It's Been a Minute]]></title>
			<link>http://www.kendo-world.com/forum/entry.php/122-It-s-Been-a-Minute</link>
			<pubDate>Mon, 15 Aug 2011 02:39:04 GMT</pubDate>
			<description><![CDATA[Attachment 1053 (http://www.kendo-world.com/forum/attachment.php?attachmentid=1053) 
 
Been ages since I posted, but there isn't too much to tell really. Up until about a week ago I was practicing regularly, but now our dojo is in summer vacation hibernation until the 22nd. Most Monday's for the...]]></description>
			<content:encoded><![CDATA[<blockquote class="blogcontent restore"><img src="http://www.kendo-world.com/forum/attachment.php?attachmentid=1053&amp;d=1313375783" border="0" alt="Name:  photo (1).JPG
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<br />
Been ages since I posted, but there isn't too much to tell really. Up until about a week ago I was practicing regularly, but now our dojo is in summer vacation hibernation until the 22nd. Most Monday's for the past month and a half I've been connecting with the capo to do some endurance training at the start of keiko. The heat has been seriously daunting, but I'm learning loads about relaxing my grip and shoulders. <br />
<br />
Last week I took a boat way down south of Tokyo to the Bonin Islands. It was a crazy experience. Anyone who is interested in my extra-kendo thoughts on Japan and other things is welcome to check out my blog - called <a href="http://4toriaezu.wordpress.com/2011/08/15/one-thousand-clicks-straight-south/" target="_blank">Toriaezu</a> - the most recent post has pics from the island and an account of the voyage there, with more to come. <br />
<br />
Anyways, while there, Tokyo life/work and the outside world got totally drowned out by the scenery and activity. One thing did manage to trickle through though....kendo. I was itching to practice! This week I'm going to accompany the Capo to one of his practice spots in Shinjuku near Takadanobaba [read: Takadanobadass], so hopefully more posts to come, with better photos. <br />
<br />
As per my usual M.O. here is the <a href="http://www.youtube.com/watch?v=Td0EKTf_EGg" target="_blank">song of the post</a>, a lively tune for the summer-minded.</blockquote>

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			<dc:creator>tyler</dc:creator>
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			<title>The Kendo Bible! It’s Here Now!</title>
			<link>http://www.kendo-world.com/forum/entry.php/115-The-Kendo-Bible!-It’s-Here-Now!</link>
			<pubDate>Sat, 16 Apr 2011 10:15:37 GMT</pubDate>
			<description><![CDATA[Attachment 1039 (http://www.kendo-world.com/forum/attachment.php?attachmentid=1039) 
  
Assisted by my brother Blake, and supervised by Sat&#333; Nariaki-sensei, for the past year I have been working hard on a translation of the Kend&#333; Shid&#333; Y&#333;ry&#333; (The Official Guide for Kendo Instruction). This book, as...]]></description>
			<content:encoded><![CDATA[<blockquote class="blogcontent restore"><div style="text-align: center;"><span style="font-family: Times New Roman"><img src="http://www.kendo-world.com/forum/attachment.php?attachmentid=1039&amp;d=1302948719" border="0" alt="Name:  shidoyoryo.jpg
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<span style="font-family: Times New Roman">Assisted by my brother Blake, and supervised by Sat&#333; Nariaki-sensei, for the past year I have been working hard on a translation of the <i>Kend&#333; Shid&#333; Y&#333;ry&#333;</i> (<i>The Official Guide for Kendo Instruction</i>). This book, as the title suggests, is the official be-all and end-all textbook authorized by the All Japan Kendo Federation. This is the book that outlines the “correct” way of executing all of the kendo techniques, and definitions for terms and concepts. It is used in Japan as the standard text for seminars, and is what people studying for their Ky&#333;shi examination have to memorize. Actually, part of the reason for doing the translation is in preparation of the International Kendo Federation (FIK) Ky&#333;shi exam system which is being organised at the moment. More to come on that later. The book will be a useful, nay, indispensible guide for all instructors of kendo. As the “bible” of kendo explaining how all aspects of it should be done, the text can be quite dry in places, but is very detailed and is a “must have” for all kendoists. You can buy the book <a href="http://zenkenren-shop.com/jp/eigo/index.html#050109" target="_blank">here</a> on the AJKF’s homepage.</span><br />
 <br />
<span style="font-family: Wingdings">l </span><span style="font-family: Times New Roman">A Short History of Kendo and its Evolution </span>&#21091;&#36947;&#23567;&#21490;<span style="font-family: Times New Roman"> —</span>&#21091;&#36947;&#12398;&#27969;&#12428;<span style="font-family: Times New Roman">— </span><br />
<span style="font-family: Wingdings">l </span><span style="font-family: Times New Roman">What is Kendo? </span>&#21091;&#36947;&#12398;&#22312;&#12426;&#26041;<br />
<span style="font-family: Wingdings">l </span><span style="font-family: Times New Roman">Kendo Instruction </span>&#21091;&#36947;&#25351;&#23566;&#12398;&#22312;&#12426;&#26041;<br />
<span style="font-family: Wingdings">l </span><span style="font-family: Times New Roman">Kend&#333;-gi, Hakama, and Training Equipment </span>&#21091;&#36947;&#30528;&#12539;&#34996;&#12362;&#12424;&#12403;&#29992;&#20855;<br />
<span style="font-family: Wingdings">l </span><span style="font-family: Times New Roman">Rei (Etiquette) </span>&#31036;<br />
<span style="font-family: Wingdings">l </span><span style="font-family: Times New Roman">Kihon-D&#333;sa (Basic Movements) </span>&#22522;&#26412;&#21205;&#20316;<br />
<span style="font-family: Wingdings">l </span><span style="font-family: Times New Roman">Applied Movements (Techniques) </span>&#24540;&#29992;&#21205;&#20316;&#65288;&#23550;&#20154;&#30340;&#25216;&#33021;&#65289;<br />
<span style="font-family: Wingdings">l </span><span style="font-family: Times New Roman">Training Methodology (Keiko-h&#333;) </span>&#31293;&#21476;&#27861;<br />
<span style="font-family: Wingdings">l </span><span style="font-family: Times New Roman">Shiai </span>&#35430;&#21512;<br />
<span style="font-family: Wingdings">l </span><span style="font-family: Times New Roman">Warming-up, Cooling-down and Strengthening Exercises </span>&#28310;&#20633;&#12539;&#25972;&#29702;&#36939;&#21205;&#12392;&#35036;&#24375;&#36939;&#21205;<br />
<span style="font-family: Wingdings">l </span><span style="font-family: Times New Roman">Glossary </span>&#20027;&#12394;&#21091;&#36947;&#29992;&#35486;<br />
<span style="font-family: Wingdings">l </span><span style="font-family: Times New Roman">Appendix </span><br />
 <br />
<span style="font-family: Times New Roman">The following excerpt is taken from the introductory section where Fukumoto Shuji-sensei gives information surrounding how the book came to fruition. </span><br />
 <br />
<span style="font-family: Times New Roman">“The <i>Y&#333;sh&#333;nen Kend&#333; Shid&#333; Y&#333;ryo</i> (“Kendo Guide for Instructing Children”), first published on March 15, 1977, was substantially revised and republished on November 1, 1985, based on input and opinions by numerous specialists. It was reprinted several times after this, and by April 25, 2001, it had reached its tenth edition. Despite the title, this book has been utilized for many years to instruct people of all levels and ages, not just children. </span><br />
 <br />
<span style="font-family: Times New Roman">Twenty years have passed since the first revised edition was made available. To incorporate the sentiments of instructors, and gain consistency with other publications produced by the AJKF, the federation (President Takeyasu Yoshimitsu, and Managing Director &#332;tani Masatoshi) organized a committee on June 27, 2006, to consider further modifications to the original text. In total, forty-five meetings were convened in which the ideas of many instructors and experts were heard, culminating in the publication of the <i>Kend&#333; Shid&#333; Y&#333;ry&#333;</i> (<i>The Official Guide for Kendo Instruction</i>) on July 1, 2008. This publication is the English translation of that book. </span><br />
 <br />
<span style="font-family: Times New Roman">This fully revised edition will provide kendoists all over the world with comprehensive information to learn and teach kendo properly. Of course, the intention is not unify all teaching methods. Instead, the content is designed to provide instructors with clues on how kendo should be taught, and as such, it is my hope that it is employed by teachers far and wide.” </span></blockquote>

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			<dc:creator>Alex</dc:creator>
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			<title>The Christchurch Quake- 12:51 pm, February 22, 2011</title>
			<link>http://www.kendo-world.com/forum/entry.php/113-The-Christchurch-Quake-12-51-pm-February-22-2011</link>
			<pubDate>Thu, 10 Mar 2011 17:30:05 GMT</pubDate>
			<description>I thought it was all just superstition, but yakudoshi really are the “years of calamity”. This is a Japanese belief that people who are at the “age of yakudoshi” are likely to experience some kind of catastrophe or illness. If you believe that new-borns start at one year old (kazoedoshi), yakudoshi...</description>
			<content:encoded><![CDATA[<blockquote class="blogcontent restore"><span style="font-family: Adobe Garamond Pro"><font size="4">I thought it was all just superstition, but <i>yakudoshi</i> really are the “years of calamity”. This is a Japanese belief that people who are at the “age of <i>yakudoshi</i>” are likely to experience some kind of catastrophe or illness. If you believe that new-borns start at one year old (<i>kazoedoshi</i>), <i>yakudoshi</i> for men is generally believed to be the ages 25, 42 and 61, and for women 19, 33 and 37. One’s <i>yakudoshi</i> is measured by adding one to your actual age, and as I was born in 1970, I fall plum into the 42 category. </font></span><br />
 <br />
<span style="font-family: Adobe Garamond Pro"><font size="4">The year did get off to a bad start. Our dog died. May father-in-law passed away suddenly a month later. And then, on a trip from Japan back to New Zealand for the national kendo squad training camp, the quake hit. I had just arrived back in Christchurch the day before. </font></span><br />
 <br />
<font size="4"><span style="font-family: Adobe Garamond Pro">I woke up in the morning of February 22 quite jet-lagged and grumpy. A neighbourhood dog had been howling like a wolf on heat for hours. After forcing myself out of bed bleary-eyed, I started to get ready to head into town and meet my old kendo buddy Karl for our traditional “liquid lunch” down the strip. However, due to a pending doctor’s appointment, we offhandedly agreed over the phone to hook up the next day instead </span><span style="font-family: Adobe Garamond Pro">&#8210;</span><span style="font-family: Adobe Garamond Pro"> a seemingly insignificant decision that, in retrospect, may have saved our lives, or at least our limbs. Everybody who came out of the quake uninjured in Christchurch has a similar story. “I was supposed to be at…” Or, “If it wasn’t for… I’d have been…” Of course, that logic can work the other way as well as many unfortunate souls unwittingly found out.</span></font><br />
 <br />
<span style="font-family: Adobe Garamond Pro"><font size="4">Forgoing lunch in town, I decided to spend some more time with my mother. We sat down in the lounge catching up, and enjoying a nice cup of tea. We talked about that bloody dog. </font></span><br />
 <br />
<span style="font-family: Adobe Garamond Pro"><font size="4">“Did you hear that dog this morning Alex?” </font></span><br />
<span style="font-family: Adobe Garamond Pro"><font size="4">“How could I not hear it! The noisy bugger woke me up…Repeatedly.” </font></span><br />
<span style="font-family: Adobe Garamond Pro"><font size="4">“You know that dogs are supposed to be able to sense earthquakes.” </font></span><br />
<span style="font-family: Adobe Garamond Pro"><font size="4">“Yeah, something about electromagnetic waves emitted from the plates or something… Do you reckon there might be an earthquake?”</font></span><br />
 <br />
<span style="font-family: Adobe Garamond Pro"><font size="4">Despite all that has happened in the last couple of months, I am still not a superstitious person, at least I don’t think I am, but another odd thing did happen. I asked if many waxeyes (a small native bird) had been poking around the bird house of late. “No, haven’t seen any for quite a while.” Ten minutes later, just as I was finishing my cuppa, I saw something flitting around the window in the next room. It looked to be outside, but upon closer inspection I realised it was a small bird actually trapped inside the room, and was none other than a lovely little waxeye. The poor thing was very stressed, but mum nabbed it with a handkerchief, and we set him free outside. I didn’t think of it at the time, but many cultures believe a bird who comes inside the house is a harbinger of tragedy or bad luck… It all seems so bizarre now.</font></span><br />
 <br />
<span style="font-family: Adobe Garamond Pro"><font size="4">That’s about all I remember of the morning of the 22nd. I was sitting on my bed about to get changed, and then it struck at precisely 12:51pm. The intensity of the jolt was so inconceivably violent and sudden, that I was stunned on my arse for a moment before realising what was happening. I jumped up to stand under the door, but could hear mum screaming outside. Running through the house trying to keep my footing, I made it to the yard and tried to calm her down. </font></span><br />
 <br />
<span style="font-family: Adobe Garamond Pro"><font size="4">The citizens of Christchurch had been through literally thousands of aftershocks since the first big quake struck (7.1) in on September 4 last year, but this was something else. In the first quake, miraculously, there were no casualties. Buildings were lost, but lives weren’t. My gut feeling was that Christchurch was not going to be so lucky this time. </font></span><br />
 <br />
<span style="font-family: Adobe Garamond Pro"><font size="4">Still, we were all too flummoxed to realise the true destructiveness of the quake, and as we were completely cut off from the rest of the world (no electricity), we had no information of what was happening around the rest of the city. We only found out the extent of the damage in the coming week. Ironically, although we were situated smack bang in the middle of the disaster zone, the rest of the world knew more about what was going on than we did. </font></span><br />
 <br />
<span style="font-family: Adobe Garamond Pro"><font size="4">We had to make do without electricity, phone contact, running water, toilets etc. for days. What water we did have, we used very sparingly, and we started to wreak something awful, as did the city itself with all the crap spewing out of the earth. Our neighbourhood was pretty devastated by the liquefaction, but we got off comparatively lightly. Many people lost their houses, and the tragic injuries and deaths in the CBD are being covered extensively by the international media, as are individual exploits of heroism in extreme adversity. </font></span><br />
 <br />
<span style="font-family: Adobe Garamond Pro"><font size="4">Still, it is far from over. The immediate aftershocks were regular and big, and the nervous tension remains in the city and the hearts of its people as I write this blog. I am back in Japan now, but am heading back to NZ again next week. There is not much I can realistically do, but like any one-eyed Cantabrian, I want to do all I can to get the city of Christchurch back on its feet, even if it feels in vain at the moment. </font></span><br />
 <br />
<span style="font-family: Adobe Garamond Pro"><font size="4">The attached video is some of the footage I took with my little stills camera that comes equipped with a basic video setting. I only recorded images immediately after the quake, and out of respect, I didn’t film the carnage I saw in my short journey traversing the city in search of a couple of people. The images will give you an idea of the damage in the suburbs. All they seem to show on TV is the utter obliteration in the CBD, with little coverage of the damage elsewhere. The eastern suburbs in particular suffered a different kind of destruction, and many have lost their homes forever. </font></span><br />
 <br />
<span style="font-family: Adobe Garamond Pro"><font size="4">A final note for the moment, I feel I should acknowledge SOFTBANK, the cellular phone company I use in Japan. I always take my phone with me when travelling overseas, but use it prudently because of the astronomical international roaming charges. As you can probably imagine, with all the calls that started coming through from Japan (which I have to foot the international charges for), and the calls I had to make, my phone bill went through the roof. When I got back to Japan on February 27, SOFTBANK sent me a text message informing me that my phone bill was in excess of 180,000 yen (approx. US$2000). I rang them up and explained the situation to see if I couldn’t get a reduction on the international charges, or at least if I could pay the bill off in instalments. They kindly decided to remove ALL phone charges accumulated during the period I was in New Zealand given the circumstances. </font></span><br />
 <br />
<font size="4"><span style="font-family: Adobe Garamond Pro">I was greatly impressed by this gesture, and have been amazed to see so many acts of kindness by people from all over the world who want to help in some way. As </span><span style="font-family: Adobe Garamond Pro">Natalia Ginzbur once said, “Today, as never before, the fates of men are so intimately linked to one another that a disaster for one is a disaster for everybody.” I think this certainly rings true for the recent disaster in Christchurch, especially considering the many foreign visitors who lost their lives. There is still much tragedy to be uncovered from the dust and rubble, and I for one nervously check the trickle of names of the confirmed deceased being released by the police, hoping that there is nobody I know, but also knowing that it could so easily have been any one of us. </span></font><br />
 <br />
<div style="text-align: center;">
<iframe class="restrain" title="YouTube video player" width="640" height="390" src="//www.youtube.com/embed/4r1IMZzSKOs?wmode=opaque" frameborder="0"></iframe>
</div></blockquote>

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			<dc:creator>Alex</dc:creator>
			<guid isPermaLink="true">http://www.kendo-world.com/forum/entry.php/113-The-Christchurch-Quake-12-51-pm-February-22-2011</guid>
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			<title>Kendo From Above</title>
			<link>http://www.kendo-world.com/forum/entry.php/112-Kendo-From-Above</link>
			<pubDate>Mon, 07 Mar 2011 13:02:37 GMT</pubDate>
			<description>Attachment 1034 (http://www.kendo-world.com/forum/attachment.php?attachmentid=1034) 
 
 
I took a spill a few weeks ago and have been out of commission, but went to the dojo last Saturday to spectate practice. My dojo is a bit small, it being built in the middle of a tight residential neighborhood...</description>
			<content:encoded><![CDATA[<blockquote class="blogcontent restore"><img src="http://www.kendo-world.com/forum/attachment.php?attachmentid=1034&amp;d=1299502871" border="0" alt="Name:  ohone.jpg
Views: 2957
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<br />
<br />
I took a spill a few weeks ago and have been out of commission, but went to the dojo last Saturday to spectate practice. My dojo is a bit small, it being built in the middle of a tight residential neighborhood in Tokyo. The changing space (I don't say change<i>room</i> because it's really more of a hallway - you have to spread up against the wall like you're getting arrested if anyone wants to get by) is upstairs. The floor and surrounding area becomes so busy during practices that visitors often end up watching from above.<br />
<br />
I spent most of my time watching sensei, and due to the layout of the place I was located pretty much right above him. Kendo is interesting from above.<br />
<br />
First thing I thought was 'huh,' and then I thought, 'shimpan should fully be suspended from the ceiling from harnesses'. Kote, men and tsuki strikes are so clear from above, and do strikes are easily seen too. <br />
<br />
Sizing up kamae from on high is also a new game. Watching the shinai-work and the right feet creeping out ominously, I wished I had a still camera on the floor below, with me holding a remote switch above. All the mechanics of seme seemed really apparent, and details stood out that I'd never noticed before. <br />
<br />
The fight for chushin (centre-line) was especially interesting. Awareness of centre has always been a bit troubling for me, but exactly who had it and how it was being guarded was really plain to see. The whole scenario had me feeling very omniscient, until the memory of how many times I got walloped last time I practiced put things back into in perspective.<br />
<br />
That said, my elevated vantage point also stripped the spectacle of some of its more human elements. I could see how various kenshi were pressuring each other physically, but it didn't translate as well as it does on the ground. Watching kendo on the same level that it takes place, you can feel the contest, see the faces, and maybe most importantly, imagine yourself being involved. From above, it gets abstracted. You notice details that otherwise you might not, but it loses intensity. Anyways, it was interesting for a while. Something to think about while I heal up.<br />
<br />
Check out <a href="http://www.youtube.com/watch?v=ATbMw6X3T40" target="_blank">this tune</a> if you have 8 minutes. It's kind of painful but I think it might make you stronger, like a vaccination.</blockquote>

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			<dc:creator>tyler</dc:creator>
			<guid isPermaLink="true">http://www.kendo-world.com/forum/entry.php/112-Kendo-From-Above</guid>
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			<title>Hip Calibration</title>
			<link>http://www.kendo-world.com/forum/entry.php/106-Hip-Calibration</link>
			<pubDate>Tue, 25 Jan 2011 04:59:02 GMT</pubDate>
			<description>Practice over the past two weeks has been up and down as I’ve been trying to hone a more flexible kamae.  
 
Last night I tried to focus on my left hand and the angle of my hips. Over gripping with my right hand has led to a bit of pain in the elbow, always a sign of bad form, so last night I tried...</description>
			<content:encoded><![CDATA[<blockquote class="blogcontent restore">Practice over the past two weeks has been up and down as I’ve been trying to hone a more flexible kamae. <br />
<br />
Last night I tried to focus on my left hand and the angle of my hips. Over gripping with my right hand has led to a bit of pain in the elbow, always a sign of bad form, so last night I tried to be all about the left. I think this made for crisper men-uchi in kihon-geiko, and in ji-geiko I seemed to have better kensen control when it came to minor adjustments and trying to channel seme with the shinai. <br />
<br />
The other focus was trying to calibrate my hips. If I had to say what was really different between those days when I’m on point and when I’m bunk, I’d say it comes down to how I carry my hips when I fight. It’s not a decision per se, or I’d choose to do it all the time, but on those days when it’s really right, my kamae is ready, like a cocked gun. The rest of the time, which is most of the time, I’m pointing a gun that hasn’t been cocked yet.<br />
<br />
Put another way, instead of having to overcome inertia by stomping on the gas, setting the attack in motion, the attack should be constantly in motion, wheels spinning, and waiting to be set on the ground. It’s less a decision to go forward and more a removal of an inhibitor that is checking a force which is already going forward. <br />
<br />
That may be a good working definition of seme: The pressure generated by a force which is being kept from moving forward, like water inhibited by a dam. <br />
<br />
Come to think of it, these are things which Kim Taylor, my iaido sensei in Canada, used to talk about. He named his club Sei Do Kai, which refers to the concept of quiet or stillness in action, and conversely action in stillness. One of the other things Kim often speaks about are the angle of the hips.<br />
<br />
So to wrap up – I’ve been trying to calibrate my hips and keep them rolled forward, belly out, same way you sit zazen. On my rare good days, this sort of happens naturally, and I’m more dangerous for it. The task now is to keep up that focus and make it second nature while also reducing the shoulder and arm tension problems I’ve been having. <br />
<br />
Snap your fingers to the <a href="http://www.youtube.com/watch?v=Joo90ZWrUkU" target="_blank">song of the day </a>if you've got a minute.</blockquote>

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			<dc:creator>tyler</dc:creator>
			<guid isPermaLink="true">http://www.kendo-world.com/forum/entry.php/106-Hip-Calibration</guid>
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			<title>Kendo and the New Concussion</title>
			<link>http://www.kendo-world.com/forum/entry.php/105-Kendo-and-the-New-Concussion</link>
			<pubDate>Thu, 20 Jan 2011 05:39:42 GMT</pubDate>
			<description><![CDATA[I came across this article (http://www.slate.com/id/2281515) in Slate today regarding American Football and a new category of head injury that has been discovered.  
 
To sum up: It begins with the mention of G as the force of gravity, and the fact that in collisions, force is measured in G's. It...]]></description>
			<content:encoded><![CDATA[<blockquote class="blogcontent restore">I came across <a href="http://www.slate.com/id/2281515" target="_blank">this article</a> in Slate today regarding American Football and a new category of head injury that has been discovered. <br />
<br />
To sum up: It begins with the mention of G as the force of gravity, and the fact that in collisions, force is measured in G's. It seems that collisions in this heavy contact sport range from 40Gs at the low end to 300Gs at the more brutal extreme. Guys getting wrecked with forces of this magnitude naturally leads to a high number of concussions to compliment the myriad other corporeal injuries.<br />
<br />
Until now, head injury was thought to be diagnosable on the field by physicians. The classic symptoms of concussion are quite easily recognized.<br />
<br />
The feature of the article, however, is new research which suggests that there are other very alarming kinds of head trauma, the signs of which are not easily recognized. It mentions blows to the top of the head, and subsequent impairment of the 'executive functioning' of the brain. <br />
<br />
Naturally, my thoughts strayed to last night's practice, and to kendo in general. We hit each other - right on the top of the head no less - many many times per practice. We have bogu of course, just as American Footballers have helmets, and a shinai is perhaps a far cry from the impact of an airborne man, but I can't help but wonder just how much damage we may be incurring, and at what cost later on down the line.<br />
<br />
Does anyone know of any studies in English regarding the amount of force in Gs that a normal men-strike generates?<br />
<br />
Further still - regular strikes aside, how many times have you really had your bell rung in kendo, been caught off guard or broken your posture and really got cranked?<br />
<br />
p.s. - [it has come to my attention that I threw this one up absent a tune at the end. That means a few people have missed out on <a href="http://www.youtube.com/watch?v=ZtgUbJN8oPE" target="_blank">this collymellon Billy Holiday/Lester Young track</a>. Apologies! 07/03/2011]</blockquote>

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			<dc:creator>tyler</dc:creator>
			<guid isPermaLink="true">http://www.kendo-world.com/forum/entry.php/105-Kendo-and-the-New-Concussion</guid>
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			<title>Steady on!</title>
			<link>http://www.kendo-world.com/forum/entry.php/104-Steady-on!</link>
			<pubDate>Wed, 12 Jan 2011 14:03:33 GMT</pubDate>
			<description><![CDATA[Off to a half-decent start! My first keiko of the year was actually pretty terrible. It had been about 2 weeks since I practiced, which is neither here nor there, but for whatever reason things just weren't working in unison. Instead of trying to relax, I tried to make it come together with force,...]]></description>
			<content:encoded><![CDATA[<blockquote class="blogcontent restore">Off to a half-decent start! My first keiko of the year was actually pretty terrible. It had been about 2 weeks since I practiced, which is neither here nor there, but for whatever reason things just weren't working in unison. Instead of trying to relax, I tried to make it come together with force, tired myself out, and generally had a bunk practice. That was Saturday. <br />
<br />
On Monday morning, through the bright idea of a dojo mate and the kindness of one of our sensei, I had a chance to attend morning practice at Kodansha Publishing's famous <a href="http://en.wikipedia.org/wiki/Noma_dojo" target="_blank">Noma Dojo</a>. I've been to the old Noma dojo for shiai, but I have never attended a practice, or been to the new dojo at all. So, up at 5am for a breakfast of champions: 2 bananas, 1 kiwi, some yogurt to activate the vitamin C in the kiwi (good lookin' out Hamish), and and egg sandwich. Then off to the station. Brick freezing!<br />
<br />
Just today I happened to check the weather in Regina, Saskatchewan, Canada where my sister lives. -26 degrees. Egads, I thought, that's brutal. But I'll tell you, I will take -5 in Canada before I'll take +2 degrees in Japan. Something about the wet air really makes it cut to the bone. A brisk walk through that brought me the the station, and a few transfers later I met my companions from my home dojo in Nakano.<br />
<br />
Walking from Gokokuji station to Noma dojo, our sensei threw out some pointers. &quot;This is a very traditional and strict dojo. Mind your manners. If you're doing ippon shobu with someone and they act like they've won, give it to them. No arguing.&quot; <br />
<br />
I was curious to see how much the new dojo resembled the old one. We went past the main Kodansha building to a larger one behind it and elevated to the 5th floor. It still smells immediately of old wood, and I think the sliding doors in the entrance hallways must be from the old dojo. <br />
<br />
After signing in and getting changed in a very hushed change room, we found a place to get ready at the far end of the dojo. I have no doubt that there were many people of note there, although one that stood out to my eyes right away was Uchimura, a past All-Japan champion. That fellow may just be as wide as he is tall. I had a chance to watch his keiko while I was in line, and the word for it is 'tenacious'. <br />
<br />
Keiko itself was of course straight forward, nothing but ji-geiko. My first bout was sub-par but helped to warm me up. I think I had 5 in all, the last three feeling quite good and on point.<br />
<br />
We were lucky enough to get a kind of 1 month pass to practice there, so I'll absolutely be going back. <br />
<br />
Tonight's practice was also good, but all of my most glaring problems were on full display. First, the bad. One source of many minor problems is stiffness and excess tension, especially in my shoulders and arms. This has always been a problem for me, and at the suggestion of a sensei from my dojo I'm trying to pay attention to the level of tension in my shoulders <i>all the time</i>, meaning while I'm at work or walking around. I think he's right - I think I'm a bit numb to just how much tension I have there, as a matter of habit. Every time I remember to check, lo and behold, I'm tense. If I can manage to cool out my shoulders a bit, I think it will follow down to my elbows and forearms and produce a much more natural, longer strike and finish. <br />
<br />
On the mental side, I've picked up the bad habit of stopping my ji-keiko and breaking zanshin WAY too much. When I began kendo, my dojo had a great atmosphere of concentration, and we were always paying attention while the fight was on. After coming to Japan and practicing in a few different places, I saw some people who at times would be working on some technical aspect of their kendo. They would engage, have an exchange, and then sort of turn off and re-set their position. This is all right now and again, I think, but somewhere along the line I began doing it too much. So that's another goal, to have more consistent focus and to start taking zanshin more seriously.<br />
<br />
On the positive side, my kamae has been praised a bit lately for being very straight, but I'm not so sure this isn't connected to my shoulder tension problem. I definitely make an effort to make a beautiful kamae, but I may be straining a bit to achieve the form. It looks all right, but it's too static, and I don't respond well to people who knock my shinai around. <br />
<br />
That's all there is at this point. I'm glad to be back in the swing of things and looking forward to next practice when I can try to address some of these points. In my ongoing effort to include a song in every post, I offer you <a href="http://www.youtube.com/watch?v=fNTNF_LnvEU" target="_blank">this</a>. Not for the faint of heart.</blockquote>

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			<dc:creator>tyler</dc:creator>
			<guid isPermaLink="true">http://www.kendo-world.com/forum/entry.php/104-Steady-on!</guid>
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			<title>bogu is in stasis, practice begins on the 8th.</title>
			<link>http://www.kendo-world.com/forum/entry.php/103-bogu-is-in-stasis-practice-begins-on-the-8th</link>
			<pubDate>Mon, 03 Jan 2011 15:56:50 GMT</pubDate>
			<description><![CDATA[The holidays have been a bit too restful. Cabin fever isn't really acceptable in the absence of sub-zero temperatures, yet I managed to catch it over the past few days. Japanese variety TV at new years is, as an aesthetic experience, probably akin to being stung by a scorpion. You go somewhat numb...]]></description>
			<content:encoded><![CDATA[<blockquote class="blogcontent restore">The holidays have been a bit too restful. Cabin fever isn't really acceptable in the absence of sub-zero temperatures, yet I managed to catch it over the past few days. Japanese variety TV at new years is, as an aesthetic experience, probably akin to being stung by a scorpion. You go somewhat numb and the intervention of others is required in order to be roused. Time turns fluid and slips by as a boy band is grilled over 3 hours of viewing. They're made to improvise skits, weigh in on various and sundry unique food items, execute impromptu slapstick comedy, and clean a muddy car wheel with a high pressure water contraption. Another show pits two teams of hapless contestants against each other in a random rush to avoid injury in weird, semi-violent challenges. <br />
<br />
Although I failed for the first time ever to enjoy my very own traditional dish of (sticky/dense pounded ricecake) mochi and maple syrup, I did make it out to <a href="http://en.wikipedia.org/wiki/Tsurugaoka_Hachiman-g&#363;" target="_blank">Tsurugaoka Hachimangu Shrine</a> in Kamakura to parlay with the gods on the cusp of the new year. It was worth the frosty toes to look behind me as I ascended the steep steps at the python of people lined up to toss their coins.<br />
<br />
A few days later, lying outdoors on a slightly inclined stone slab, hotspring water running down and around, I thought about kendo, my fortune in being around such high quality kendo people, and the infrequency with with I've taken advantage of these surroundings in the past 6 months. Hence the idea for this fresh year is to practice more, think more about it 'aloud' in this space, and stay chisel. <br />
<br />
I like music a lot and I would like to invite everyone to listen to <a href="http://www.youtube.com/watch?v=svIMbKNyypo" target="_blank">this song</a> if they think they might enjoy it. <br />
<br />
Happy New Year!</blockquote>

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			<dc:creator>tyler</dc:creator>
			<guid isPermaLink="true">http://www.kendo-world.com/forum/entry.php/103-bogu-is-in-stasis-practice-begins-on-the-8th</guid>
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			<title>The hardest job in kendo...?</title>
			<link>http://www.kendo-world.com/forum/entry.php/102-The-hardest-job-in-kendo</link>
			<pubDate>Sat, 23 Oct 2010 04:16:04 GMT</pubDate>
			<description>Attachment 998 (http://www.kendo-world.com/forum/attachment.php?attachmentid=998)When I wrote this, the FIFA World Cup was in full swing. Apart from the early exit of some of the highly regarded teams, and the fantastic showing of the underdogs, perhaps the biggest on-going stories at this...</description>
			<content:encoded><![CDATA[<blockquote class="blogcontent restore"><div class="img_align_center "><a href="http://www.kendo-world.com/forum/attachment.php?attachmentid=998&amp;d=1287807306" id="attachment998" rel="Lightbox_102" ><img src="http://www.kendo-world.com/forum/attachment.php?attachmentid=998&amp;d=1287807306" border="0" alt="Click image for larger version.&nbsp;

Name:	Maya-Martinez from Mexico on the right versus Uchimura from Japan on the left.JPG&nbsp;
Views:	4383&nbsp;
Size:	315.3 KB&nbsp;
ID:	998" class="align_center size_large" /></a></div>When I wrote this, the FIFA World Cup was in full swing. Apart from the early exit of some of the highly regarded teams, and the fantastic showing of the underdogs, perhaps the biggest on-going stories at this competition surrounded the glaring mistakes made by the world’s top football referees. What about that goal scored by a blatantly offside Tevez in the match between Argentina and Mexico? Who can forget the goal scored by Lampard against Germany that bounced over the line and out again, but was not awarded by the ref? I can only imagine the intensity of profanities screamed out simultaneously in Old Blighty that very instant. It could plausibly have been the first four letter word audible from outer space. <br />
 <br />
These, and many other incidents put life in to an old debate. If we have the technology, why not use it? How hard would it be for an extra official sitting in a booth to check dicey decisions on a video screen and report by radio back to the ref? Not only would it avert potential international incidents, perhaps the threat of citation afterwards might even stop some of those deplorable cheats who take an orchestrated dive for the team. Still, some are of the opinion that hullabaloo is an important part of the game. Even the Brazilian coach Dunga said “If there is no controversy in football, you wouldn’t be there and I wouldn’t be here.”<br />
 <br />
I’m sure that most people would prefer to avoid the same kind of controversy in kendo. Still, being only human, shinpan in the kendo context are also bound to make a few mistakes. Obviously this is not ideal, but it is inevitable. I remember one 8-dan sensei told me he only gets it right “about 90% of the time”. So why not use technology? Interestingly, this is an issue that is rarely considered seriously in kendo. There are just too many factors that need to be taken into consideration, not just a simple issue of whether or not the ball crossed the line. First there the stipulated “requirements” for y&#363;k&#333;-datotsu which include of datotsu-bui (accurately striking the target), datotsu-bu (with correct part of the shinai), hasuji (correct direction of the cutting edge), ky&#333;do (adequate strength of the cut), sae (crispness of the cut), ki-ken-tai-itchi (unity of sword, body and spirit), and zanshin (continued physical and mental alertness). Then, there are other “factors” that need to be taken into consideration. These are shisei (posture), kiai (vocalization), maai (interval), tai-sabaki (footwork), kikai (striking opportunities), and tenouchi (grip). The role of the humble kendo shinpan is a complicated one indeed, and it just got a little more difficult for fifteen of the world’s best. <br />
 <br />
Most readers will be aware that newly renamed SportAccord, the former General Association of International Sports Federations (GAISF) held the first SportAccord Combat Games in Beijing from August 28 to September 4, 2010. The competition showcased thirteen Martial Arts and Combat sports, both Olympic and non-Olympic events, and there was also a Cultural Program that was intended to “reflect the social and cultural values of these sports and Combat Games as a whole”. In the kendo event, 32 male and 24 female competitors selected from around the world, plus 24 demonstrators participated in an individual kendo tournament, East versus West demonstration match, and 8-dan demonstrations of kendo, Nippon Kendo Kata, iaido and jodo. <br />
 <br />
Not all AJKF officers were initially enthusiastic about participating in this momentous event. However, it was quickly realized that the potential to showcase kendo to the rest of the world and the prestige through taking part was too much of an opportunity to ignore. One aspect of the competition vital to its success was the level refereeing. Fifteen referees were selected and all converged in Narita city on June 21 and 22 for an intensive seminar. Due to the restricted time for the events, it was decided that each match would be four minutes in duration with an additional two minutes <i>ench&#333; </i>(time extension) if no winner is decided. If after two minutes of extra time the scores are still level, the outcome will be decided by <i>hantei </i>(referees decision) in which the three <i>shinpan </i>raise either the red or white flag to indicate who they thought was the better player overall. <br />
 <br />
This system was used in the All Japan Kendo Championships until 1986, and it is stipulated in Article 7 of the Regulations “In pronouncing <i>hantei</i>, <i>shinpan-in</i> shall take into consideration, first the skill of <i>shiai-sha</i>, then their attitudes in <i>shiai</i>.” In Article 9 of the Subsidiary Regulations, it states “<i>Hantei </i>prescribed in Article 7, Item 5 of the Regulations, shall be based on the following criteria: 1. In case <i>shiai-sha </i>has made <i>datotsu </i>nearly equal to<i> y&#363;k&#333;-datotsu</i>, his or her skill should be regarded as superior; and 2. In case shiai-sha is predominant in posture and movements, his or her attitude should be regarded as superior.”<br />
 <br />
Once again, I was in the privileged position of interpreting for the seminar. Okushima Yoshio Sensei from Kyoto, who was the <i>Shinpan-ch&#333; </i>at the event, served as the main instructor and his explanations were concise and to the point. The main thrust of his instruction was as follows. As the whole premise of kendo matches is to try and score valid points in the opponent, the first <i>hantei </i>criteria of “nearly equal to <i>y&#363;k&#333;-datotsu</i>” goes without saying. This does not mean strikes that touch or come close to touching the target should be considered, but genuinely close attempts that have the referee “wanting to put the flag up, but not quite able to…” Furthermore, even if one referee puts their flag up for a point, this should not be taken into consideration in the hantei process because it could have been “an error of judgment”. According to the rules, if the hantei cannot be decided by the first criteria, the second, “superior attitude” will become the deciding factor. This factor takes into consideration hansoku or penalties. Again, just because one <i>shiai-sha </i>commits <i>hansoku</i>, this does not necessarily mean that they automatically lose the <i>hantei</i>, as there may be mitigating factors. <br />
 <br />
In essence, the responsibility of <i>hantei </i>draws on the level of understanding the shinpan has regarding every aspect of kendo. Rather than just adjudicating valid points as they happen, hantei requires the shinpan to do this, but also be constantly assessing the entire match from start to finish (not just the final two minutes of <i>ench&#333;</i>) evaluating the superiority in skill and attitude demonstrated by the <i>shiai-sha</i>. It doesn’t get more demanding than this, and is in many ways similar to an examiner in a promotion examination. To make the wrong <i>hantei </i>judgment could be viewed as a reflection of the <i>shinpan</i>’s lack of understanding of the essence of kendo. Okushima Sensei concluded that “as long as you are able to judge <i>y&#363;k&#333;-datotsu </i>correctly, correct <i>hantei </i>should be a matter of course.” <br />
 <br />
For many of the <i>shinpan </i>at the seminar, this was a first-time experience in making <i>hantei </i>calls. Overall, the judgments made in the practice matches were consistent, but the pressure seemed even greater than the buildup shinpan seminars to the World Championships. <br />
 <br />
In many ways, the SportAccord Kendo Tournament in Beijing proved to be an historic event, and it was the skills of the <i>shinpan </i>which were an important part of its success. You can see all of the videos on the KW homepage, and close analysis will always show the odd “dicey” call. My friend Jesus Maya-Martinez scored what looked to be a nice <i>men </i>against Japan champion R. Uchimura, which was not scored. You can see the video <a href="http://www.youtube.com/watch?v=V_dBwoZXW3E&amp;feature=player_embedded" target="_blank">here</a>. (The attached photo shows the point I am referring to. Jesus is on the right.) But that is the nature of the beast, and the fact that video remains on the internet for all to see and dissect makes the role of <i>shinpan </i>an unenviable responsibility, but somebody has to do it. Still, it must be remembered that some aspects become distorted on video, and what seems to be a valid <i>ippon </i>on screen was not the case when watching the match live at courtside. Whatever the case let us not condemn, but learn. <br />
 <br />
It also got me thinking. Wouldn’t it be interesting to have competitions in which matches were decided not by <i>sanbon-sh&#333;bu</i>, but by <i>hantei</i>?… <br />
 <br />
(Adapted from the Kendo World Journal Vol. 5.2 Editorial)</blockquote>

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			<dc:creator>Alex</dc:creator>
			<guid isPermaLink="true">http://www.kendo-world.com/forum/entry.php/102-The-hardest-job-in-kendo</guid>
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			<title>Adventures of a Kendo Bum - the 2010 Taidai Summer Camp</title>
			<link>http://www.kendo-world.com/forum/entry.php/101-Adventures-of-a-Kendo-Bum-the-2010-Taidai-Summer-Camp</link>
			<pubDate>Tue, 17 Aug 2010 07:43:14 GMT</pubDate>
			<description><![CDATA[Whats your idea of the ideal summer vacation? Six days and five nights on the beach, sipping on a frosty beer whilst relaxing in one of those net hammock thingys? That would certainly make my top 5 list. But alas, in this month of August, the hottest period of Japan&#8217;s oppressive summer season, I...]]></description>
			<content:encoded><![CDATA[<blockquote class="blogcontent restore">Whats your idea of the ideal summer vacation? Six days and five nights on the beach, sipping on a frosty beer whilst relaxing in one of those net hammock thingys? That would certainly make my top 5 list. But alas, in this month of August, the hottest period of Japan&#8217;s oppressive summer season, I have had to settle for a number further down my list of idyllic summer gettaways &#8211; the Taidai Summer Camp.<br />
 <br />
As I write this (somewhat overdue) blog on the trip home, I am riding up front in one of the two overnight buses that took the entire Taidai Kendo Club to and from Kumatori, Osaka, all the way to H&#333;fu, Yamaguchi. <br />
<br />
A seven hour trip one way, the students who have not been selected to tour Hiroshima in a series of away games and friendly-practice shiai following the camp, lie in their cramped seats with limbs in all directions &#8211; completely buggered from the week long camp in a ridiculously hot and muggy setting. Meanwhile, I try to remain focused on my computer-screen as our bus driver &#8211; good mates with Evil Knievel &#8211; &#8220;death-defying-ly&#8221; weaves through traffic, cuts other motorists off, and insists on tail-gating people at&#8230;lets see&#8230;100km/h. <br />
 <br />
But I digress&#8230;<br />
 <br />
The Taidai Summer Camp is designed with a similar purpose in mind to that of Kangeiko &#8211; the Winter Camp. That is, to provide an extraordinarily testing training menu whilst making use of the elements. The mindset is such that with the big student competitions on the horizon (the Kansai champs, and the All Japans), the students will benefit from being &#8220;shocked&#8221; in to the next gear by practicing waza (techniques) and shiai (matches) in temperatures sitting around the mid-30s, with humidity in the late 80s to early 90s&#8230;in other words, if they can function effectively in the hottest/coldest time of year, they will be firing in the mild months.<br />
 <br />
Mornings began with breakfast at 7am sharp, promptly followed by a trip back to the land of nod before departing for the H&#333;fu City Budokan at 8:10am. Warm-up and bow-in commenced from 9am and, to my surprise, the sensei would tell us what we were to expect for the day&#8217;s training menu. (I don&#8217;t know about you, but back home we were seldom privy to that information prior to a training camp!) <br />
<br />
Interestingly, despite accounts of traditional approaches to Japanese kendo summer camps by graduates of the school, and veterans of other camps, great importance was placed on hydration and recovery... trainings were broken into sections of 40 minutes and allowed for a 10 minute break to grab a drink and cool down a bit before continuing on. <br />
<br />
&#8220;How is this news-worthy?&#8221; you may ask. &#8220;Shouldn&#8217;t hydration be a fundamental part of any training regime?&#8221; Yes. Of course! I know that, you know that. But it is only after certain unfortunate circumstances over the years (particularly in the high school kendo scene), in the face of traditional ideas and methods regarding the forging of mentally tougher kendo-ists, that kids are encouraged more to hydrate and rest injuries &#8211; rather than practice the noble quality of gaman (perseverance, patients). <br />
Mind you, this issue runs a lot deeper than I make out, so it is better left for a another blog or Masters thesis&#8230;suffice it to say for now though, the powers that be of Taidai are certainly doing their part to put the wheels in motion and change some of the thinking in a sport that can be said to be *occasionally* overly-traditional/outdated regarding instructional mindsets when it comes to safety. Well at least that&#8217;s what I gather from it.<br />
 <br />
Following a morning of kihon (basics), waza, and jigeiko (sparring), we were fed and rested in preparation for an afternoon of shiai. The sensei encouraged me to be a part of both the matches and the judging during this part of the day. And as each activity requires a very different type of effort, this seemingly &#8220;cruisey&#8221; afternoon schedule proved exhausting. <br />
My match results were nothing to write home about&#8230;so I won&#8217;t. But I can confidently say that I have been provided with an awful lot to ponder over the coming weeks both in and out of the shiai-j&#333;. <br />
In typical training camp fashion, the days training would finish with a 40 minute bash with the sensei etc., and the mandatory kakarigeiko (hell on earth) and ai-kakarigeiko (mutual hell on earth), spanning roughly 15 minutes in duration.<br />
The buses would then take us all back to the hotels, boys and girls separated, where dinner was served and beers were opened! &#8230; boy oh boy, can the old boys drink! &#8230; <br />
 <br />
The following day would follow a strikingly similar pattern, and without a doubt, the evening would once again require a lot of sitting up straight, serving the sensei drinks, and for me, nursing my beer so I didn&#8217;t have to drink that awful bloody shochu&#8230;all part of the kendo training camp package! That said however, the conversations between H8 dans is certainly worth the sore head and red-eye in the morning&#8230;if only I could remember what he said about the secret to getting 8th dan&#8230;<br />
 <br />
All said and done, we get tomorrow off and then its back into it full swing&#8230;only six months to go until kangeiko! <br />
 <br />
 <br />
Right then, nap time. <br />
 <br />
Zzzz....<br />
<div class="img_align_center "><a href="http://www.kendo-world.com/forum/attachment.php?attachmentid=836&amp;d=1282030925" id="attachment836" rel="Lightbox_101" ><img src="http://www.kendo-world.com/forum/attachment.php?attachmentid=836&amp;d=1282030925" border="0" alt="Click image for larger version.&nbsp;

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 <br />
KB</blockquote>

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			<dc:creator>kendo-bum</dc:creator>
			<guid isPermaLink="true">http://www.kendo-world.com/forum/entry.php/101-Adventures-of-a-Kendo-Bum-the-2010-Taidai-Summer-Camp</guid>
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			<title>A Bilingual Guide to the History of Kendo!!</title>
			<link>http://www.kendo-world.com/forum/entry.php/100-A-Bilingual-Guide-to-the-History-of-Kendo!!</link>
			<pubDate>Mon, 09 Aug 2010 02:23:57 GMT</pubDate>
			<description>Attachment 830 (http://www.kendo-world.com/forum/attachment.php?attachmentid=830) 
Recently, a new book regarding the history of kendo was released by the publishers of Kendo Nippon Magazine. The book, A Bilingual Guide to the History of Kendo, is, as its title suggests, a bilingual guide to the...</description>
			<content:encoded><![CDATA[<blockquote class="blogcontent restore"><div class="img_align_center "><a href="http://www.kendo-world.com/forum/attachment.php?attachmentid=830&amp;d=1281320568" id="attachment830" rel="Lightbox_100" ><img src="http://www.kendo-world.com/forum/attachment.php?attachmentid=830&amp;d=1281320568" border="0" alt="Click image for larger version.&nbsp;

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Recently, a new book regarding the history of kendo was released by the publishers of<i> Kendo Nippon Magazine</i>. The book, <i>A Bilingual Guide to the History of Kendo</i>, is, as its title suggests, a bilingual guide to the history of kendo. The author is Sakai Toshinobu, expert in sword history and professor at the University of Tsukuba. The English translation was done by me. <br />
<br />
The book is comprised of a number of essays outlining the earliest sword ideals from the continent and how they were introduced and developed in Japan, right through the international situation of the art in the 21st century. They were originally published every month for two years in <i>Kendo Nippon </i>(2007–2009) with the accompanying English translations always done at the last possible moment by me. A significant amount of work went into re-jigging the English translations and the Japanese content ready for the publication of the book, but I think the finished product is a beauty.<br />
<br />
As the book is bilingual with Japanese text on the left-hand pages, and the English translation on the right, the content provides important reading for kendo enthusiasts who want to know more about the history of the art, and also for people who are engaged in promoting kendo outside of Japan. I also think it may be of particular interest to people who are studying Japanese! <br />
<br />
If I had been the author, I possibly would have spent more time looking at kendo in the modern era. However, being an expert in ancient sword ideals, Sakai sensei placed a fair bit of emphasis on introducing the meaning of swords portrayed in Japan’s myths, and also the religious significance of swordsmanship to the old kengo such as Tsukahara Bokuden and Miyamoto Musashi. It was a great privilege to be allowed to translate Sakai Sensei’s work, and I believe that this particular volume will certainly help fill the knowledge gap in the international kendo community.   The following is from the TOC. You can purchase the book<a href="http://www.kendo-world.com/catalog/product_info.php?cPath=22&amp;products_id=61&amp;osCsid=2cd33b284b5a0078d201fcd53554ed03" target="_blank"> here</a>!<br />
<br />
15 	Prologue<br />
<br />
Section 1 Kendo Tradition<br />
29 	1  Kendo as a Martial Way<br />
43 	2  The Beginnings of Kendo History<br />
57 	3  The Evolution of the Japanese Sword (Nihon-t&#333;)<br />
71 	4  From Bows and Arrows to Swords Giving up the Gun<br />
83 	5  The Age of the Sword Masters – Tsukahara Bokuden<br />
97 	6  The Age of the Sword Masters – Miyamoto Musashi<br />
109 	7  The Creation of Martial Art Schools<br />
121 	8  The Three Great Kenjutsu Ry&#363;ha and their Offshoots<br />
135 	9  The Formulation of Kenjutsu Theory<br />
149 	10  The Origins of Fencing with Shinai<br />
151 	11  The Rise of New Schools and the “Three Great D&#333;j&#333; of Edo”<br />
175 	12  Kenjutsu in the Nineteenth Century<br />
189 	13  The Modern Period<br />
203 	14  The Development of Modern Kendo<br />
217 	15  Kendo in the Sh&#333;wa Period (1926&#8210;1989)<br />
229 	16  The Current Situation and Globalization of Kendo<br />
<br />
Section 2 Kendo Culture<br />
241 	1  Sword Ideologies Part 1: The Origins<br />
253 	2  Sword Ideologies Part 2: Sacred Swords in Mythology<br />
267 	3  Sword Ideologies Part 3: “Kusnanagi-no-Tsurugi” and the Imperial Regalia<br />
279 	4  Sword Ideologies Part 4: “Cutting the Self and Others”<br />
291 	5  Ascetic Training of the Masters&#8210;The Sanr&#333; Kaigan Legends<br />
303 	6  Kenjutsu and Religion<br />
315 	7  Lifelong Kendo<br />
<br />
Epilogue</blockquote>

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			<dc:creator>Alex</dc:creator>
			<guid isPermaLink="true">http://www.kendo-world.com/forum/entry.php/100-A-Bilingual-Guide-to-the-History-of-Kendo!!</guid>
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			<title>Paroles de Hanshi - Les trois Ki.</title>
			<link>http://www.kendo-world.com/forum/entry.php/99-Paroles-de-Hanshi-Les-trois-Ki</link>
			<pubDate>Wed, 16 Jun 2010 10:26:25 GMT</pubDate>
			<description><![CDATA[Une nouvelle traduction tirée de la série "Paroles de Hanshi". 
 
http://www.kendo-world.com/basecamp/122091/foreignlanguagenonenglisharticles/Paroles_Hanshi_-_Les_Trois_Ki.pdf 
 
A bientôt]]></description>
			<content:encoded><![CDATA[<blockquote class="blogcontent restore">Une nouvelle traduction tirée de la série &quot;Paroles de Hanshi&quot;.<br />
<br />
<a href="http://www.kendo-world.com/basecamp/122091/foreignlanguagenonenglisharticles/Paroles_Hanshi_-_Les_Trois_Ki.pdf" target="_blank">http://www.kendo-world.com/basecamp/...s_Trois_Ki.pdf</a><br />
<br />
A bientôt</blockquote>

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			<dc:creator>snooz2k2</dc:creator>
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			<title>The Adventures of a Kendo Bum - Little Horrors</title>
			<link>http://www.kendo-world.com/forum/entry.php/98-The-Adventures-of-a-Kendo-Bum-Little-Horrors</link>
			<pubDate>Tue, 25 May 2010 04:57:57 GMT</pubDate>
			<description><![CDATA[Almost a year to the day, I was once again subjected to long waits, sharp needles and difficult decisions&#8230;nope, I was not on the set of the latest &#8220;Saw&#8221; horror flick, it was in fact, the annual taidai student health check.  
After last year&#8217;s debacle of wondering aimlessly around the school campus...]]></description>
			<content:encoded><![CDATA[<blockquote class="blogcontent restore">Almost a year to the day, I was once again subjected to long waits, sharp needles and difficult decisions&#8230;nope, I was not on the set of the latest &#8220;Saw&#8221; horror flick, it was in fact, the annual taidai student health check. <br />
After last year&#8217;s debacle of wondering aimlessly around the school campus looking for the next place to be poked, prodded and measured, I had convinced myself this year that I would play silly buggers with some of my tests&#8230;in an attempt to resolve the issue of spending half of my day waiting in a long line for a prick in the arm. <br />
<br />
I understand this is an important part of life that shouldn&#8217;t be taken lightly, after all, when was the last time I voluntarily sat a physical in NZ?! <br />
Perhaps it was the fact that I never really pulled any pranks in my student days back home, or maybe its that I really don&#8217;t like the idea of the school knowing too much about what&#8217;s what with me (total  conspiracy theorist!)&#8230;or maybe, just maybe, it was the fact that last year I was labeled &#8220;overweight&quot; as a result of the school&#8217;s insistence to compare me with the Japanese BMI scale. Whatever the case, a flood of mischievous ideas filled my mind over the year, as I toyed with the idea of putting rocks in my pocket, hitting the turps hard the night before and even replacing the &#8220;sample&#8221; with a popular lemon fizzy drink. <br />
<br />
Alas, faced with these decisions and weighing the (admittedly few) pros against the cons (such as angry kendo teachers), I backed down and joined the back of the line to wait my turn. Sorry team. <br />
<br />
As it happens though, despite following orders and spelling my name right, my results still managed to turn some heads when compared to last year&#8217;s outcomes&#8230;as I had not only lost 7kg, it appears that I have also grown 3cm in height! Go figure! Surely being hit on the head as much as I do on a daily basis at trainings would put a damper on any last ditched attempt at a growth spurt (not to mention I am 27&#8230;!). Could it be bruising on my skull!? Or maybe a buildup of calloused feet?! It&#8217;s unclear. But the even better news is the fact that I just scraped through on the trusty ol&#8217; BMI scale by a hair&#8230;I am not longer &#8220;overweight&#8221; now.  <br />
<br />
Right then, on with the blog.<br />
<br />
My classmate, roommate and kend&#333; compadre teaches a PE class once a week at a high school in Osaka, and last week asked if I would like to tag along for a nosey. I was very keen to see what kend&#333; in the general education system looked like in recent times, as it had been a while since I have had the chance to venture out of the university kend&#333; scene.<br />
As could be imagined of a group of 14-15 year old boys (from a particularly wealthy part of town), the fact that they had to participate in the sweaty, smelly and noisy environment that is a kend&#333; training, meant that motivation levels were less than optimal. That said however, there were in attendance a handful of students who either had experienced kend&#333; at a younger age in a local d&#333;j&#333;, or who were simply willing to give it a go, making the overall experience pretty enjoyable for all concerned&#8230;and with a foreigner present in class, most were surprised that the well kept secret of kend&#333; existed outside the walls of Japan!<br />
  <br />
Of the 30 or more students in each class (4 kend&#333; classes over the space of a day), there were also one or two students dealing with physical disabilities. Although able, in theory, to participate in training to a certain extent, these kend&#333; classes were already clearly heavy in numbers with regards to available instruction. And unfortunately, despite what I could see to be a genuine desire to participate, the cruelty of some able bodied children in the form of bullying and general torments, quickly turned the recipient&#8217;s mood upside down &#8211; consequently resulting in some students asking to sit the class out due to a &#8220;sudden injury&#8221;. <br />
I consider my off-sider to be a top notch kend&#333; player and a very good instructor. But, despite his best efforts and experience teaching at this level, keeping an eye on 30 or more little rat-bags belting each other with sticks, is not an easy task. And, as it happens, the bully armed with a bamboo stick and a sharp tongue will get away with a lot more than anyone will let on, before he is caught red-handed. <br />
  <br />
Fairly typical of many classrooms in many countries, I do not want to get into a discussion on the troubles most teachers face on a daily basis &#8211; trying to balance equal attention to all that need it, while covering the required syllabus. However, this is an ideal way to raise some of the issues that, I consider, Japanese school students and PE teachers alike will face with the introduction of bud&#333; as a compulsory subject in Japanese junior high schools in 2012. <br />
<br />
A good idea in principle, the Ministry of Education have decided to add the instruction of martial arts to the curriculum for youth aged 13-15 for many reasons. Obviously, we all know and appreciate the benefits to be had in the pursuit of kend&#333;. As a physical activity in itself, regular exercise and a release of tension are commonly heard as reasons for participation in our chosen pastime, and there is little doubt many Japanese children could benefit in a similar way. In fact, if we put our minds together, I&#8217;m sure we could fill pages with good reasons for introducing kend&#333; (or bud&#333; in general) into the school syllabus. <br />
However, a resounding concern that has been on minds of many in the upper echelons of kend&#333;-dom, is the issue of &#8216;quality instruction&#8217;. This is not to say that the PE teachers of Japan&#8217;s junior high schools cannot teach PE&#8230;it is whether they can teach kend&#333; (or whatever the bud&#333; may be) that needs to be considered. <br />
<br />
(At this point, as far as I am aware, a crash course of 13 hours instruction in kend&#333; will be mandatory for PE teachers to get them&#8230;up to scratch? Is that enough time for mastering the intricacies of anything, or even the basics for that matter? )<br />
<br />
For those of you who are familiar with this topic of conversation, I&#8217;m certain there are many other factors I am missing in this (very) short overview of a (extremely) big matter. <br />
It is not my intention to write an indepth article on the issue that is already saturated with discussions and texts by far more qualified kend&#333;-ists and scholars than I. The point I wanted to raise refers to the passage above regarding the issue of overcrowded PE lessons. In most cases, where students are led by an underequipped teacher (in terms of kend&#333; knowledge) will in effect, be a case of the blind leading the blind. <br />
And, when one considers that even an experienced kend&#333; instructor of this age group encounters the issues of dealing with bullies, as well as motivating and protecting the bullied, how on earth is a basketball teacher expected to teach ki-ken-tai-itchi to the same group?<br />
<br />
Awaiting the response of the AJKF or MOE on this one any day now...!       <br />
<br />
KB</blockquote>

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			<dc:creator>kendo-bum</dc:creator>
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