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Thread: Where Did All the Parries Go?

  1. #1

    Where Did All the Parries Go?

    The most basic and primary concept of European fencing is the parry and riposte. Since preventing your opponent from wounding you is treated as being more important than drawing first blood, you spend unbelievable amounts of time learning to stop an attack by a parry and then automatically counter attacking (riposte). The reposte is usually done without conscious thought. After uears of practice it just happens.

    I have now enjoyed about 50 Kumdo classes and I can state with certainty that less than 5% of the time has been spent on practicing forms of parries and ripostes. Why is this? It is it a matter of my classes’ beginner status or is it simply the psychology of the art – go for the one strike kill and don’t worry about getting hit.

    I can’t help trying to put the training into some realistic scenario. It strikes me that clearly, a perfect muri cut would be fatal, but a simultaneous cut to the side of the neck would be similarly lethal.

    Help me find the right mindset.
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    “The pen is mightier than the sword – NOT”

  2. #2
    Spaminator Neil Gendzwill's Avatar
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    Mindset

    Kill the opponent. If he kills you while you're doing it, you've still succeeded.

    We do have lots of defences, it's just that they're all part of the offence. You'll learn them later.
    Neil Gendzwill
    Saskatoon Kendo Club

  3. #3
    Hachidan wannabe alexpollijr's Avatar
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    There's only a few 'parry and riposte' motions in kendo. All of them belong to the oji-waza class (countering techniques).

    Some japanese sensei preach that before 3rd Dan, a student should focus on attack, attack & attack only. Even studying under a korean teacher, you are probably under the effect of this method, and that is probably the reason why you are not being taught oji waza yet.

    Anyway, the only 'true' parries in kendo are called 'kaeshi'. You receive the strike on your shinai and then strikes back after 'stealing' the momentum from your opponent's blow. Common forms are men-gaeshi-do and kote-gaeshi-men. There are others of course. Then there's suriage waza (deflection techniques) and uchiotoshi (striking the shinai) techniques.

  4. #4
    剣道しない事も人間形成の道である ben's Avatar
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    The venerable alexpollijr and the venerable neilgendzwill have both hit the nail on the head, but to bang it in further...

    Kendo is a *death-match* not a *first-blood match*. The difference between kendo and fencing is definitely mindset. It is only by constant attacking over many years that you can ever develop a palpable *seme* (pressure) which you can use to control your opponent. As Neil said, doesn't matter if you get killed, so long as you kill your opponent. This is called "ai-uchi" or mutual strike. The more advanced stage is that of using seme to totally keep your opponent at bay and force an honourable stalemate (viz. kata no.3). This is called "ai-nuki" or mutual escape.

    What to do with parry-and-riposte? Chuck it out. The best mindset is an empty mindset. Or to quote Shunryu Suzuki-roshi "In the beginner's mind there are many possibilities. In the expert's mind there are few."

    b

  5. #5
    I'm hearing you all, loud and clear. I do not dispute your wisdom. Forgive me, if I question whether this is the only acceptable mindset needed to learn Kendo.

    In life, I must survive because there are those who depend on me for their survival. While I am learning a warrior skill and seek to obtain a higher level of skill, I ask myself what is to be gained by sacrificing my theoretical life for that of an opponent's. Unless I am serving in an army that is numerically superior to that of my enemy, what purpose is to be served by our mutual destruction?

    Am I not better served by learning how to first protect my own life and only then to "vanquish my enemy"? Since I approach every bout as life/death combat, is it really the way of the sword to always give up your life for an enemy's; when the enemy's life may be worth considerably less to your community?
    0CCCC[]XXXXX>>>>>>>>>>>>-

    “The pen is mightier than the sword – NOT”

  6. #6
    sakeholic & shiaiholic Paburo's Avatar
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    i think a BIG difference is that while western fencing is about thrusts mostly, kendo is about cutting mostly. 'killing' in one single thrust is not so easy as 'killing' in one single cut. also, thrusts are easier to parry, cause they often head for a single spot(easier to deviate from target), while cuts are wider(and though deviated may still land on your body).

    thus, it's understandable kendo relies less on parries than european fencing.

    haven't you heard of the saying, 'the best defence is attack'?
    it's very zen-ish.

    like in old kenjutsu/battojutsu, the best way of protecting your life was not parrying a lot, or avoiding attacks. it was delivering the deadly blow first.
    Kenshi-Katagi [剣士気質]
    http://kenshi-katagi.blogspot.com/

  7. #7
    Well, I myself am not familiar with European fencing, but here goes. I invite you to correct me if I'm wrong anything regarding European fencing.

    I think that the heart of the matter lies at that kendo is a "one strike one kill" mindset. As kendo employs a larger and heavier weapon, if one poorly executes an attack, I would think one would need more time to recover/regain composure than European fencing. Therefore, much more emphasis is put on attacking properly.

    Secondly, I would think it more difficult to pary a cutting motion than to pary a thrusting motion (especially with a large and substantial sword used by the Japanese/Koreans which are really designed to cut rather than thrust). You'll understand that roundhouse kick is more difficult to block or pary (it's easier to simply get out of the way) compared to say a front or side kick due to the fact that the roundhouse kick (comparable to cutting motion) happens on a plane, as opposed to front or side kick (comparable to a thrusting/piston type motion) which happens on a singular line.

    I realize that there are cutting in European fencing as well such as the sabre, but once again, much lighter swords with more thrusing motions than a real "bone cutting" motions employed by kendo.

    So I think as parying techniques are much more difficult in kendo, it is typically taught at more advance levels.

  8. #8
    You know how we do. Charlie's Avatar
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    These are all really good answers. By the way, one of the things I like about Old Warrior is that, unlike many fencers, he is open-minded! (The same may be true of kendo-ka taking up fencing, who knows - my point is Old Warrior is more willing to "empty his cup.")
    Charlie Kondek, EMU Kendo
    Box of tea?

  9. #9
    Again, I speak from theory, as I am a Kumdo beginner. And, I am a respectful student who is searching for knowledge not advocating a position in a debate.

    A head cut starts from the center of the attacker and comes to the top center or right or left side of the forehead. Simple geometry says this is much easier to parry than a pointed thrust because you have the length of the blade to hit. All it takes is a timed movement to the left or the right, raising the hands slightly. The standard "on guard" position has the hands at a good angle and the point at the throat. It is fast and easy to deflect the blade, in part because the striking part is the thinnest and most flexible.

    But more significant for me, is my philosophical point about the value of my life verses anothers. From what I can see. simultaneous (or nearly so) strikes are very common and therefore both combatants have lost. I guess I just have a hard head.
    0CCCC[]XXXXX>>>>>>>>>>>>-

    “The pen is mightier than the sword – NOT”

  10. #10
    hmmmm

    Well, as a practical matter, if a simultaneous strike occurs, both parties lose. And as a practical matter, it is reflected during kendo matches since no one is awarded a point.

    As a philosophical matter, I believe that there are two things at work here.

    One - is that you must have such a conviction in your attack that you are beyond the thought of you living and dying. This is a bit hard to explain, but as a student of martial art(s) I hope you can see what I mean. There is no plan B. You're going to kill with this strike and as it is a life-or-death decision, you have prepared your all and committed your all.

    Two - is that parying has already been done (to an extent) by the fighting for the centerline and distance (what is called seme and mai in Japanese). Meaning that by the time you strike, you should have already won the centerline and distance so that parying by your opponent would be useless. This is also a bit hard to explain. But you try parying your teacher's men/mori attack and see. Even if you succeed parying one attack (in the remotest possibility) he will see an opening which has occurred due to your parying and strike. (Aside from the fact that it is considered by most a bad form for a student to pary or block a sensei's attack).

    So as you see, there are many things at work here. You'll come to see that parying becomes harder and harder as you train. It is something that might work against a beginner, but not against anyone who's near your level or better.

  11. #11
    Oh, lastly, your point about raising the hands little to pary the men attack comes in useful only against small, quick men cut. You won't be able to do this against anyone who has a larger swingpath of shinai with a great centerline. Your shinai will just get pushed back to the center by the opponent's and he/she will hit your men.

  12. #12
    We're getting closer to the point.

    First, every lunge or fleche attack, by a skilled European fencer, is done by committing every ounce of your strength and focus. So, there's no difference there.

    Second, to a European fencer, the parry to triggers an autonomic response that is faster than the original attack because it is done without conscious thought. So, I'm not buying that a reposte is too slow or a parry impossible.

    Third, you can't make a point with me by suggesting that a parry would work against my fellow beginners (or perhaps an intermediate level kendoka) but not against the Master. I am a beginner and I would be a terrific student if I could defeat all my fellow beginners. And if I could beat better students, than surely parrying would have a place. But, nothing I could EVER do would protect me from the Master's onslaught.

    But, you have made one point that I did not consider. The power of a Kendo swing is 10 times stronger than that of one of my epees, a sabre blade or a foil. I think the answer may be that the ability to repost is adversely affected by the power of the strike. In other words recovery from the shock of the blow may inhibit the ability to make an autonomic reflexive counterattack. If this were so, a riposte would definitely be harder.
    0CCCC[]XXXXX>>>>>>>>>>>>-

    “The pen is mightier than the sword – NOT”

  13. #13
    sakeholic & shiaiholic Paburo's Avatar
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    see?

    (from chudan)
    to parry a men(cut) for instance, you have to raise your arms and angle your shinai. if you fail to do this fast, or if the angle is incorrect, or if the men cut is too strong, the opponents sword will still hit you in your head/shoulder/arms.

    but to parry a tsuki(thrust), you simply move slightly your shinai to the side(enough to offcenter the thrust). and then the kensen will miss your throat.

    in kendo you learn also to parry-attack without thinking.
    whenever ppl try tsuki on me i always do hari-men without even realizing. i guess that's the type of parry-riposte thing you are talking about.
    Kenshi-Katagi [剣士気質]
    http://kenshi-katagi.blogspot.com/

  14. #14
    "whenever ppl try tsuki on me i always do hari-men without even realizing. i guess that's the type of parry-riposte thing you are talking about"

    Yes and my purpose in starting this thread was to inquire why a similar response is not practiced for a Muri (Men) Cut. The parry riposte is a fundamental concept in European fencing that is endlessly practiced.
    0CCCC[]XXXXX>>>>>>>>>>>>-

    “The pen is mightier than the sword – NOT”

  15. #15
    Hachidan wannabe alexpollijr's Avatar
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    What would be 'hari-men' ?

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